The Spirit and Substance of ArtF. S. Crofts & Company, 1926 - 432 strani |
Iz vsebine knjige
Zadetki 1–5 od 100
Stran viii
... lines from Chicago Poems ; to the Nation for parts of Hel- ton's " May Jones Takes the Air " and Rorty's " Prelude , " two of its Prize Poems ; to Alfred A. Knopf , Inc. for material from Goldenweiser's Early Civilization ; to the Dial ...
... lines from Chicago Poems ; to the Nation for parts of Hel- ton's " May Jones Takes the Air " and Rorty's " Prelude , " two of its Prize Poems ; to Alfred A. Knopf , Inc. for material from Goldenweiser's Early Civilization ; to the Dial ...
Stran 11
... lines of Whitman and the strident notes of Carl Sandburg or Vachel Lindsay , he will not attempt to limit aesthetic theory to an analysis of the quali- ties and conditions of formal beauty . NATURE AND ART Ought aesthetics to limit ...
... lines of Whitman and the strident notes of Carl Sandburg or Vachel Lindsay , he will not attempt to limit aesthetic theory to an analysis of the quali- ties and conditions of formal beauty . NATURE AND ART Ought aesthetics to limit ...
Stran 12
Louis William Flaccus. elements of strength and beauty - lines , masses , colors — are found in nature ; and they are there in startling com- bination . The sweep of curves , the thrust of jagged or straight lines , the tilting of planes ...
Louis William Flaccus. elements of strength and beauty - lines , masses , colors — are found in nature ; and they are there in startling com- bination . The sweep of curves , the thrust of jagged or straight lines , the tilting of planes ...
Stran 13
... lines of a peak invite thought on whether it can be climbed . If all such responses are suppressed , what remains but the pain- ful picking of bits of significant line or color from a wide and distressingly complex display of materials ...
... lines of a peak invite thought on whether it can be climbed . If all such responses are suppressed , what remains but the pain- ful picking of bits of significant line or color from a wide and distressingly complex display of materials ...
Stran 16
... lines , the uses of rhythm , and in artistic ideals . Some painters use a contrasted color scheme ; others a tonal scheme with one dominant color delicately shaded . Which is the more effective ? Does the value of a landscape vary with ...
... lines , the uses of rhythm , and in artistic ideals . Some painters use a contrasted color scheme ; others a tonal scheme with one dominant color delicately shaded . Which is the more effective ? Does the value of a landscape vary with ...
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Pogosti izrazi in povedi
Aeschylus aesthetic aesthetic types aesthetician aims appears architecture Banister Fletcher beauty become body called Cézanne character color comedy comic complex consciousness contrast creative cubist dance decorative drama effects emotional enjoy enjoyment Erewhon experience expression expressionism expressionistic Falstaff Fauvism feeling force gained give Greek harmony Hegel human ideal imaginative impression impulses individual intensity interest interpretation Laocoon laughter light lines mark mass material means mechanical melody ment method mood moral motor movement nature objects organization Othello painter painting patterns phantasy picture play playful pleasing pleasure poem poet poetry problems program music psychic Psychology of Beauty pure pure moods purpose Rabelais reading relation response reveals rhythm rhythmic Rodin romanticism Sappho scheme sculpture seeks self-expression sense sensuous shade shaping shows simple Sketch social space spirit sublime sympathetic technique theory things tion tive tragedy tragic ture unity Vachel Lindsay values verse vision visual
Priljubljeni odlomki
Stran 180 - For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.
Stran 165 - SWIFTLY walk over the western wave, Spirit of Night ! Out of the misty eastern cave, Where all the long and lone daylight, Thou wovest dreams of joy and fear, Which make thee terrible and dear, — Swift be thy flight...
Stran 169 - And moan the expense of many a vanish'd sight: Then can I grieve at grievances foregone, And heavily from woe to woe tell o'er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee, dear friend, All losses are restored...
Stran 167 - Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drowsed with the fume of poppies, while thy hook Spares the next swath and all its twined flowers...
Stran 168 - The moving waters at their priest-like task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors :— No — yet still steadfast, still unchangeable, Pillow'd upon my fair Love's ripening breast To feel for ever its soft fall and swell, Awake for ever in a sweet unrest; Still, still to hear her tender-taken breath, And so live ever, — or else swoon to death.
Stran 180 - For all good poets, epic as well as lyric, compose their beautiful poems not by art, but because they are inspired and possessed. And as the Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed...
Stran 302 - We have shown that the pleasure of wit originates from an economy of expenditure in inhibition, of the comic from an economy of expenditure in thought, and of humor from an economy of expenditure in feeling.
Stran 186 - It lies in heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge.
Stran 180 - God. Beat me and hammer me into a steel spike. Drive me into the girders that hold a skyscraper together. Take red-hot rivets and fasten me into the central girders. Let me be the great nail holding a skyscraper through blue nights into white stars.
Stran 174 - Oread WHIRL UP, sea — whirl your pointed pines, splash your great pines on our rocks, hurl your green over us, cover us with your pools of fir.