Russia's Contribution to the Present Day Art of the TheatreUniversity of Wisconsin--Madison, 1934 - 80 strani |
Iz vsebine knjige
Zadetki 1–3 od 4
Stran 17
... acting lead to his belief that true acting was a matter of inner creation , an idea which he later developed in working out his system of actor training . His general interest in the arts found him a place as direc- tor in the Russian ...
... acting lead to his belief that true acting was a matter of inner creation , an idea which he later developed in working out his system of actor training . His general interest in the arts found him a place as direc- tor in the Russian ...
Stran 19
... actor training , Stanis- lavsky was greatly influenced by the teachings of Mikhail Shtchepkin , who had been a ... actor or singer for further training . If the student proved unsuccessful as an actor or singer , he could still find work ...
... actor training , Stanis- lavsky was greatly influenced by the teachings of Mikhail Shtchepkin , who had been a ... actor or singer for further training . If the student proved unsuccessful as an actor or singer , he could still find work ...
Stran 20
... actors are given training in gymnastics , classical and inter- pretative dancing , fencing , breathing exercises , voice train- ing , singing and pantomime . Besides a trained body , the actor must also have a trained imagination ...
... actors are given training in gymnastics , classical and inter- pretative dancing , fencing , breathing exercises , voice train- ing , singing and pantomime . Besides a trained body , the actor must also have a trained imagination ...
Pogosti izrazi in povedi
acting character actor training aesthetic distance Alexey Tolstoy Allardyce Nicoll Anesya artistic atmosphere audience best play Boris Godunov changes Chekhov comedy Constantin Stanislavsky constructivism constructivistic sets Count Lev Tolstoy creative Crowell cubistic developed Dewitt H dramatist emotional experimentation fundamental line Germany Gorky husband illusion imitating Imperial Little Theatre Ivan the Terrible Kamerng Theatre line of action Literary Digest literature and drama lives married Max Reinhardt Maxim Gorky Meyerhold Moliere monodrama Moscow Art Theatre movement Mstislavsky Nikita Nikolayevich Opera Ostrovsky outstanding Pisemsky plot political post-revolution present day art Principles of Aesthetics problem proletarian propagandist plays realistic period represented Russian directors Russian drama Russian plays Russian stage Russian Theatre satire Sayler scenery serf Sheldon Cheney singer social soul Stage Decoration stage design stage settings symbolic system of actor Tairoff Theatre Arts Monthly Theatre in Petrograd theatrical Theory of Drama tragedy Turgenev unity of impression Wit Works Woe writers Yevreynoff young