Russia's Contribution to the Present Day Art of the TheatreUniversity of Wisconsin--Madison, 1934 - 80 strani |
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Zadetki 1–3 od 9
Stran 19
... create sincerity and truth in dramatic production , Stanislavsky began with the training of the ac- tors . In developing his system of actor training , Stanis- lavsky was greatly influenced by the teachings of Mikhail Shtchepkin , who ...
... create sincerity and truth in dramatic production , Stanislavsky began with the training of the ac- tors . In developing his system of actor training , Stanis- lavsky was greatly influenced by the teachings of Mikhail Shtchepkin , who ...
Stran 20
... create , he must give concentrated attention to the play with all of his men- tal and physical faculties . To do this , the body must be free from muscular strain , capable of complete relaxation so that it will present no obstacles to ...
... create , he must give concentrated attention to the play with all of his men- tal and physical faculties . To do this , the body must be free from muscular strain , capable of complete relaxation so that it will present no obstacles to ...
Stran 23
... create an inner , active , dramatic art . The only king and ruler of the stage is the talented actor . But alas , I cannot find for him a true scenic background that would not interfere with , but would help his complex spiritual work ...
... create an inner , active , dramatic art . The only king and ruler of the stage is the talented actor . But alas , I cannot find for him a true scenic background that would not interfere with , but would help his complex spiritual work ...
Pogosti izrazi in povedi
according acting action actor aesthetic Allardyce artistic atmosphere attempt audience became building changes characters Chekhov closely comedy Constantin contributions Count create creative definite developed direction director dominant drama dramatic literature dramatist educated effect elements emotional exist experience experimentation expression feel founding Germany give given historical human husband imagination imitating Imperial impression influence interest John landed leaves lighting lines literary literature Little lives manner March married matter methods Meyerhold middle Moscow Art Theatre movement nature Nicoll officials outstanding Petrograd play plot political present problem production propagandist realistic period reality Regarding relate represented requirements Russian Theatre says shows similar simple situation social society soul stage settings Stanislavsky success Survey symbolic teacher Theatre Arts Monthly Theory Tolstoy tragedy tried true Turgenev unity University whole writers written wrote young