Russia's Contribution to the Present Day Art of the TheatreUniversity of Wisconsin--Madison, 1934 - 80 strani |
Iz vsebine knjige
Zadetki 1–3 od 7
Stran 18
... director of the Philharmonic school in Moscow , who joined him as the co- director of the Art Theatre . Nemirovich Danchenko was to have the literary veto , and Stanislavsky the veto in matters of stage direction and artistic production ...
... director of the Philharmonic school in Moscow , who joined him as the co- director of the Art Theatre . Nemirovich Danchenko was to have the literary veto , and Stanislavsky the veto in matters of stage direction and artistic production ...
Stran 26
... director of the Imperial Opera House in Petrograd . With the coming of the Soviet rule , Meyerhold was the first of the Russian directors to offer the services of his art to the new state . His political beliefs as well as artistic ...
... director of the Imperial Opera House in Petrograd . With the coming of the Soviet rule , Meyerhold was the first of the Russian directors to offer the services of his art to the new state . His political beliefs as well as artistic ...
Stran 30
... directors . He was born on February 26 , 1879 . Like Stanislavsky he had the privilege of having a theatre in his own home in which he worked and played from early childhood . In his youth he ... director of 30 . 1914 in Petrograd. ...
... directors . He was born on February 26 , 1879 . Like Stanislavsky he had the privilege of having a theatre in his own home in which he worked and played from early childhood . In his youth he ... director of 30 . 1914 in Petrograd. ...
Pogosti izrazi in povedi
according acting action actor aesthetic Allardyce artistic atmosphere attempt audience became building changes characters Chekhov closely comedy Constantin contributions Count create creative definite developed direction director dominant drama dramatic literature dramatist educated effect elements emotional exist experience experimentation expression feel founding Germany give given historical human husband imagination imitating Imperial impression influence interest John landed leaves lighting lines literary literature Little lives manner March married matter methods Meyerhold middle Moscow Art Theatre movement nature Nicoll officials outstanding Petrograd play plot political present problem production propagandist realistic period reality Regarding relate represented requirements Russian Theatre says shows similar simple situation social society soul stage settings Stanislavsky success Survey symbolic teacher Theatre Arts Monthly Theory Tolstoy tragedy tried true Turgenev unity University whole writers written wrote young