Russia's Contribution to the Present Day Art of the TheatreUniversity of Wisconsin--Madison, 1934 - 80 strani |
Iz vsebine knjige
Zadetki 1–3 od 32
Stran 3
... play of his which has survived is the operatic version of Boris Godunov . The one Russian play of this period which has gained a permanent position on the stage is Wit Works Woe , a comedy of manners after the style of Moliere , by ...
... play of his which has survived is the operatic version of Boris Godunov . The one Russian play of this period which has gained a permanent position on the stage is Wit Works Woe , a comedy of manners after the style of Moliere , by ...
Stran 24
... play to the audience , he says , " There exists an opinion that one must play for the peasant , plays of his own life , plays that are fitted to his idea of what the world is that for the burgess one must play plays of the burgess ' own ...
... play to the audience , he says , " There exists an opinion that one must play for the peasant , plays of his own life , plays that are fitted to his idea of what the world is that for the burgess one must play plays of the burgess ' own ...
Stran 27
... play you see , a play , you who love the theatre for its own sake ! No cross - section of life here , no attempt to copy life ! No illusion here to be shattered by the slightest mis- hap or by a prosaic streak in the spectator's makeup ...
... play you see , a play , you who love the theatre for its own sake ! No cross - section of life here , no attempt to copy life ! No illusion here to be shattered by the slightest mis- hap or by a prosaic streak in the spectator's makeup ...
Pogosti izrazi in povedi
according acting action actor aesthetic Allardyce artistic atmosphere attempt audience became building changes characters Chekhov closely comedy Constantin contributions Count create creative definite developed direction director dominant drama dramatic literature dramatist educated effect elements emotional exist experience experimentation expression feel founding Germany give given historical human husband imagination imitating Imperial impression influence interest John landed leaves lighting lines literary literature Little lives manner March married matter methods Meyerhold middle Moscow Art Theatre movement nature Nicoll officials outstanding Petrograd play plot political present problem production propagandist realistic period reality Regarding relate represented requirements Russian Theatre says shows similar simple situation social society soul stage settings Stanislavsky success Survey symbolic teacher Theatre Arts Monthly Theory Tolstoy tragedy tried true Turgenev unity University whole writers written wrote young