Russia's Contribution to the Present Day Art of the TheatreUniversity of Wisconsin--Madison, 1934 - 80 strani |
Iz vsebine knjige
Zadetki 1–3 od 9
Stran 22
... says , " By joining together and graft- ing these sections , the score of the part is formed ; the scores of the separate parts are formed after the continual joint work of the actors during rehearsals and by the neces- sary adjustment ...
... says , " By joining together and graft- ing these sections , the score of the part is formed ; the scores of the separate parts are formed after the continual joint work of the actors during rehearsals and by the neces- sary adjustment ...
Stran 25
... says in an article in The Survey , for March 1 , 1923 , that the Moscow Art Theatre is too closely connected with ... say 25 . not recognize the language that is his own, for ...
... says in an article in The Survey , for March 1 , 1923 , that the Moscow Art Theatre is too closely connected with ... say 25 . not recognize the language that is his own, for ...
Stran 26
Thelma Solveig Melgard. attempting a difficult analysis here , I may say that in a sense they went beyond realism to a psychologically true region where there was so much of that clarity , emotional directness and ... say that ...
Thelma Solveig Melgard. attempting a difficult analysis here , I may say that in a sense they went beyond realism to a psychologically true region where there was so much of that clarity , emotional directness and ... say that ...
Pogosti izrazi in povedi
according acting action actor aesthetic Allardyce artistic atmosphere attempt audience became building changes characters Chekhov closely comedy Constantin contributions Count create creative definite developed direction director dominant drama dramatic literature dramatist educated effect elements emotional exist experience experimentation expression feel founding Germany give given historical human husband imagination imitating Imperial impression influence interest John landed leaves lighting lines literary literature Little lives manner March married matter methods Meyerhold middle Moscow Art Theatre movement nature Nicoll officials outstanding Petrograd play plot political present problem production propagandist realistic period reality Regarding relate represented requirements Russian Theatre says shows similar simple situation social society soul stage settings Stanislavsky success Survey symbolic teacher Theatre Arts Monthly Theory Tolstoy tragedy tried true Turgenev unity University whole writers written wrote young