Tolstoy on ArtSmall, Maynard & Company, 1924 - 504 strani |
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Stran
... tion that not only did Tolstoy write his name with a y , as did his wife and his literary executors , but that this is in accord with the plan laid down by the British Academy , in its " Scheme for the Transliteration into English of ...
... tion that not only did Tolstoy write his name with a y , as did his wife and his literary executors , but that this is in accord with the plan laid down by the British Academy , in its " Scheme for the Transliteration into English of ...
Stran 5
... tion between the various parts . As soon as the boys found that they really could compose stories which interested other people ( and a talented child is able to do this almost from the first if he is judiciously advised and his ...
... tion between the various parts . As soon as the boys found that they really could compose stories which interested other people ( and a talented child is able to do this almost from the first if he is judiciously advised and his ...
Stran 14
... tion in which the man was who composed it . My soul merges with his and together with him I pass from one condition into another ; but why this happens , I don't know . You see , he who wrote , let us say , the Kreutzer Sonata ...
... tion in which the man was who composed it . My soul merges with his and together with him I pass from one condition into another ; but why this happens , I don't know . You see , he who wrote , let us say , the Kreutzer Sonata ...
Stran 17
... tion to stories or pictures of which he specially approved . Among the earliest of these were a note to accompany a repro- duction of his friend Gay's picture , The Last Supper , a very simple account of the incident depicted , and an ...
... tion to stories or pictures of which he specially approved . Among the earliest of these were a note to accompany a repro- duction of his friend Gay's picture , The Last Supper , a very simple account of the incident depicted , and an ...
Stran 18
... man , knew how to express not by speech only but by exclamations , gestures , and the repeti- tion of words , the spiritual conditions and variations of feel- ing that occur in the characters he presents in his 18 TOLSTOY ON ART.
... man , knew how to express not by speech only but by exclamations , gestures , and the repeti- tion of words , the spiritual conditions and variations of feel- ing that occur in the characters he presents in his 18 TOLSTOY ON ART.
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according activity appear artist Balaam Bel-Ami CHAPTER character chief Christian Church conception of beauty considered Cordelia counterfeit art counterfeits critics daugh daughter definition of art demands drama Duke of Albany Edgar Edmund esthetic estheticians evil evoke exist expressed false father Fédka French Gervinus give Gloucester Goneril harmful Hegel Henri de Régnier highest human imitation important infected insignificant Kent kind King King Lear Kreutzer Sonata labour Lear lives matter Maupassant meaning moral nature novel object Olenka Othello painting peasant perverted play pleasure poems poet poetic poetry produce question reader real art recognised religion religious perception reply Richard Strauss Russian scene Schasler sense Shakespeare Siegfried sincerity society soul speak story subject-matter taste teaching theory thing thought tion Tivoli Gardens Tolstoy Tolstoy's transmitting feelings true art truth understand upper classes whole wishes words Wotan writers