V. BIBLIOGRAPHY AND REFERENCES THE following list includes: I. Some works mentioned elsewhere in this volume without sufficient bibliographical clearness. II. A few important references in the fields of, 1. The theory and technic of fiction, including the short story, as that is usually discussed in comparison with the novel; 2. The study or methodical criticism of fiction; 3. The history of European fiction, in large areas, and when it is the principal subject of a work; 4. The history of theory. III. A few other works of such nature as to be of special value in connection with the above interests. Suggestion for much more extensive reading is given in the Notes on the History of Novelistic Criticism. In the present list, a † indicates that the author (not always the individual work) is mentioned in those Notes. A * has been placed before those works which are entirely or mainly concerned with fiction. ALBERT, PAUL: La Prose. Paris, 1887. About 20 pages on the novel. * BAKER, E. A.: A Descriptive Guide to the Best Fiction. London, 1903. Limited to English originals and translations. BALDWIN, J. M. (editor): Dictionary of Philosophy and Psychology. Three vols., N.Y., 1901-03. Defines or discusses many æsthetic, ethical, psychological, and sociological terms found in the criticism of fiction. (References elsewhere are to this work.) *BALDWIN, C. S.: American Short Stories. N.Y., 1904. Selections; with introductory essay on the short story. * BARRETT, C. R.: Short Story Writing. N.Y., 1900. Theory; technic; classification, etc. † BAUMGART, H.: Handbuch der Poetik. Stuttgart, 1887. * BESANT, WALTER: The Art of Fiction. London, 1884. A brief work on the theory, "laws," and technic of the novel as a form of art; from a novelist's point of view. BETZ, L. P.: La Littérature Comparée. Strassburg, 1904. Essai Bibliographique. Lists many studies in the international relations of fiction. BEYER, C.: Deutsche Poetik. 3d ed., three vols., Berlin, 1900. 2d ed., * BOBERTAG, F.: Geschichte des Romans und der ihm verwandten Dichtungsgattungen in Deutschland. Two vols., Berlin, 1877-84. BÖLSCHE, W.: Die naturwissenschaftlichen Grundlagen der Poesie. Prolegomena einer realistischen Aesthetik. Leipzig, 1887. Consideration of Zola is included. BORINSKI, K.: Die Poetik der Renaissance. Berlin, 1886. BRAITMAIER, F.: Geschichte der poetischen Theorie und Kritik von den A little discussion of the novel. BRANDES, GEORG: Die Hauptströmungen der Litteratur des 19ten Jahrhunderts. 5th ed., six vols., Berlin, 1897. Translated from the Danish. English translation, N.Y. and London, six vols., 1901-05. BRAY, J. W.: History of English Critical Terms. Boston, 1898. Valuable within its field; but "critical” is understood as judicial, and there is no consideration of strictly technical terms. +* BRUNETIÈRE, F.: Le Roman Naturaliste. New ed., 1893. Broad æsthetic and ethical criticism of realism, naturalism, impressionism, the experimental novel, etc. Illustration chiefly from French fiction, with an essay on "Le Naturalisme Anglais : Étude sur George Eliot." (References elsewhere are to this work.) BRUNETIÈRE, F.: L'Évolution des Genres. 1890. * BURTON, RICHARD: Forces in Fiction. Boston, 1902. BURTON, RICHARD: Literary Likings. Boston, 1898. (1903.) Besides criticisms of individual novelists, includes four essays on general" Phases of Fiction." * CANBY, H. S.: The Short Story. N.Y., 1902. A pamphlet; mainly theoretical. Revised as the Introduction to Jessup and Canby's Book of the Short Story. N.Y. and London, 1903. * CHANDLER, F. W.: Romances of Roguery. Vol. I., N.Y., 1899. Mainly historical research in the Spanish field. * CHASSANG, M. A.: Histoire du Roman et de ses Rapports avec l'Histoire. 1862. *CHOLEVIUS, L.: Die bedeutendsten deutschen Romane des 17ten Jahrhunderts. Leipzig, 1866. * [CODY, SHERMAN]: How to Write Fiction. Especially the Art of Short Story Writing. London, 1895. A defense and exposition of technical method. * Cook, May E.: Methods of Teaching Novels. Chicago, n. d. A pamphlet for secondary schools. * CRAWFORD, F. M.: The Novel: What It is. N.Y., 1903. Pedagogical; special outlines for the study of the main types of litera- ture. * CROSS, W. L.: The Development of the English Novel. N.Y., 1899. A standard work, covering the entire history of the English novel, conceived as an évolution d'un genre. Cf. Stoddard. Much material on the form of the novel. † Dallas, E. S.: The Gay Science. [Criticism.] Two vols., London, 1866. A chapter on the novel. * DAVIDSON, HARRIET A.: The Study of Ivanhoe; - Romola; - Silas Marner, etc. Albany, and in some cases, N.Y. Suggestive analytical pamphlets. *DAVIDSON, HARRIET A.: The Creative Art of Fiction. Albany. (Pamphlet.) * DIXSON, ZELLA A.: Subject-Index to Universal Prose Fiction. 1897. N.Y., * Doumic, RENÉ: Contemporary French Novelists. N.Y., 1899. Translated from the French. +* DUNLOP, J. C.: History of Prose Fiction. London, 1814. Revised ed., with important additions, two vols., London, 1888. See p. 266 in this Appendix. * DYE, CHARITY: The Story-Teller's Art. Boston, 1898. A brief analytical treatise for secondary schools. * EICHENDORFF, J. VON: Der deutsche Roman des 18ten Jahrhunderts in seinem Verhältnis zum Christentum. Leipzig, 1857. FITZMAURICE-KELLY, J: History of Spanish Literature. N.V., 1898. * FORSYTH, WM.: Novels and Novelists of the 18th Century. In Illustration of the Manners and Morals of the Age. N.Y., 1871. FREYTAG, GUSTAV: Die Technik des Dramas. 1863. 8th ed., Leipzig, 1898. English translation, Chicago, 1895. GARDINER, J. H.: Forms of Prose Literature. N. Y., 1900. † GARLAND, HAMLIN: Crumbling Idols. Chicago, 1894. GARNETT, RICHARD: History of Italian Literature. N.V., 1898. GAYLEY, C. M., and F. N. SCOTT: Introduction to Methods and Materials of Literary Criticism. Vol. I., Boston, 1899. GIDDINGS, F. H. : Inductive Sociology. N.Y., 1901. * GILBERT, EUGÈNE : Le Roman en France pendant le XIXe siècle. 2d ed., 1896. GIRARDIN, SAINT-MARC: Cours de Littérature Dramatique. Five vols., 1843 sq. Includes considerable direct reference to the novel - pastoral romance, heroic romance, etc. The treatment of the psychology of the drama, in reference to love, jealousy, suicide, etc., is applicable in part to the novel. GOTTSCHALL, R. VON: Poetik. 5th ed., Breslau, 1882. About 30 pages on the novel and short story; classification of fiction. GUYAU, M. L'Art au Point de Vue Sociologique. 1889. Quite extended treatment of the novel. * HAMMOND, ELEANOR P.: Class Questions for Analysis of Narrative Fiction. University of Chicago, 1899. A pamphlet of technical analysis. HAYM, R. Die Romantische Schule. Berlin, 1870; reprint, 1902. : Excellent on the theory of the novel held by the romanticists. HENNEQUIN, ÉMILE: La Critique Scientifique. 1890. See p. 266 in this Appendix. HEYDRICK, B. A.: How to Study Literature. 3d ed., N.Y., 1903. For secondary schools; brief but sound analysis for the separate types of literature. * HEYSE, PAUL, and H. KURZ (editors): Deutscher Novellenschatz. Introduction, on theory of short story. * HITCHCOCK, A. M.: How to Study Fiction. Boston and Chicago, 1899. A brief pamphlet for secondary schools. ** HOWELLS, W. D.: Criticism and Fiction. N.Y., 1895. * HOWELLS, W. D.: Heroines of Fiction. Two vols., N.Y. and London, 1901. *JACK, A. A.: Essays on the Novel as Illustrated by Scott and Miss Austen. London, 1897. +*JAMES, HENRY: Art of Fiction. Boston, 1885. Theory of the novel, from a realistic position. * JAMES, HENRY: French Poets and Novelists. N.Y., 1878. (1884; 1893.) JAMES, WILLIAM: Principles of Psychology. Two vols., N.Y., 1890. JEITTELES, IG.: Aesthetisches Lexikon. Two vols., Vienna, 1835-37. *JUSSERAND, J. J. Le Roman Anglais. Origine et Formation des Grandes Écoles de Romanciers du XVIIIe Siècle. 1886. : *JUSSERAND, J. J.: The English Novel in the Time of Shakespeare. N.Y. and London, 1890. Translated from the French. Entertaining as well as scholarly. KASTNER, L. E. and H. G. ATKINS: Short History of French Literature. N.Y., 1901. KER, W. P.: Epic and Romance. London, 1897. A scholarly consideration of the medieval transition from epic to romance, in the main viewed as a degeneration, with close analysis of both types. KOBERSTEIN, A.: Grundriss der Geschichte der deutschen Nationallitteratur. 5th ed., 5 vols, Leipzig, 1872–73. About 100 pages on the novel; including theory of prose narration, and particularly the 18th century theory of the novel, in Germany. * KÖRTING, C.: Geschichte des französischen Romans im 17ten Jahrhundert. Leipzig, 1885-87. * KREYSSIG, FR.: Vorlesungen über den deutschen Roman der Gegenwart. Berlin, 1871. (1891.) +* LANIER, SIDNEY: The English Novel and the Principles of its Development. N.Y., 1883. LANSON, GUSTAVE: Histoire de la Littérature Française. Ed. of 1901. 1872. * LEWIS, E. H. Types of American Fiction. (Syllabus of lecture course.) University of Chicago, 1896. Presents a method of analysis, applied to individual works. LOTZE, H.: Outlines of Esthetics. Translated and edited by G. T. Ladd. Boston, 1886. +* LUDWIG, OTTO (1813-65): Romanstudien (one vol, in Schriften, six vols.). Leipzig, 1891. Important for theory, technic, and classification. * MACCLINTOCK, W. D.: Studies in Fiction. (Syllabus of lecture course.) University of Chicago, 1897. Suggestive and detailed; quite technical analysis. * MAIGRON, L.: Le Roman Historique à l'Époque Romantique. Essai sur l'Influence de Walter Scott. 1898. * MASSON, DAVID: British Novelists and Their Styles. London, 1856. (Boston, 1892.) Historical review from Morte d'Arthur to date of writing. Some theory and technic. See p. 266 in this Appendix. +* MATTHEWS, BRANDER: Philosophy of the Short Story. N.Y., 1888. (1901.) * MATTHEWS, BRANDER: Aspects of Fiction. N.Y., 1896. |