A Players' Handbook: The Theory and Practice of Acting

acting action actor arms artist attention audience backbone breath chair chaise longue character climaxes Cloey's consonants Constantin Stanislavsky contrast counts director dramatic effective emotion Eustasia exer exercise experience expressive eyes face feel feet fingers foot force forward front gesture goes GRACIE hall door hand head I. A. Richards imagination J. O. Bailey JOSEPH keep knee larynx Leaves of Grass legs lift LILLY lips look manifestations MANNER OF ARTICULATION ment mind Miss Cloey MOTSINGER move movement muscles never Nicholas normal objects pantomimic PAUL ELDRIDGE pause performance person physical play player PLAYER'S HANDBOOK posture re-creation reaction relaxed rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage stands story theatre things thought tion tone tongue torso turn vocal voice voice-tones vowels walk wall Walt Whitman whole words