A Players' Handbook: The Theory and Practice of ActingF.S. Crofts & Company, 1939 - 252 strani |
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Zadetki 1–3 od 37
Stran 64
... muscles Lesser muscles The Vibratory System - the sound - making apparatus , lo- cated in the larynx ( Adam's apple ) . It includes : The cartilaginous box of the larynx The vocal cords The muscles within the larynx which control the ...
... muscles Lesser muscles The Vibratory System - the sound - making apparatus , lo- cated in the larynx ( Adam's apple ) . It includes : The cartilaginous box of the larynx The vocal cords The muscles within the larynx which control the ...
Stran 66
... muscles are distinct . While the lower abdominal muscles ( in co - operation with the gluteal muscles ) should remain relatively quiet and firm to maintain correct posture in the trunk ( including a flat lower abdomen ) , the upper ...
... muscles are distinct . While the lower abdominal muscles ( in co - operation with the gluteal muscles ) should remain relatively quiet and firm to maintain correct posture in the trunk ( including a flat lower abdomen ) , the upper ...
Stran 155
... muscles all over your body begin to tighten up . Rise slowly , higher and higher . Open up your lungs and take larger and larger draughts of air . Strengthen your back and the lower abdominal muscles , lift high your head , straighten ...
... muscles all over your body begin to tighten up . Rise slowly , higher and higher . Open up your lungs and take larger and larger draughts of air . Strengthen your back and the lower abdominal muscles , lift high your head , straighten ...
Vsebina
THE ART OF ACTING | 3 |
Training for Technique | 9 |
Communication and Expression | 17 |
Avtorske pravice | |
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acting action actor arms artist attention audience backbone breath chair chaise longue character climaxes Cloey's consonants Constantin Stanislavsky contrast counts director dramatic effective emotion Eustasia exer exercise experience expressive eyes face feel feet fingers foot force forward front gesture goes GRACIE hall door hand head I. A. Richards imagination J. O. Bailey JOSEPH keep knee larynx Leaves of Grass legs lift LILLY lips look manifestations MANNER OF ARTICULATION ment mind Miss Cloey MOTSINGER move movement muscles never Nicholas normal objects pantomimic PAUL ELDRIDGE pause performance person physical play player PLAYER'S HANDBOOK posture re-creation reaction relaxed rhythm rhythmic scene sense Sensory Memory shoulders side soft palate sounds speaks spectator speech stage stands story theatre things thought tion tone tongue torso turn vocal voice voice-tones vowels walk wall Walt Whitman whole words