The Spirit and Substance of ArtF.S. Crofts & Company, 1945 - 593 strani |
Iz vsebine knjige
Zadetki 1–3 od 92
Stran 57
... AESTHETIC RESPONSE If the problem is to be made worthwhile it must be studied in the spirit of empirical analysis , at the risk of an initial and possibly final looseness . The marks that distinguish experiences commonly called aesthetic ...
... AESTHETIC RESPONSE If the problem is to be made worthwhile it must be studied in the spirit of empirical analysis , at the risk of an initial and possibly final looseness . The marks that distinguish experiences commonly called aesthetic ...
Stran 59
... aesthetic because scientific in a broad relational sense . The tiger is studied within the context of the forms , processes , and manifestations of or- ganic life . The reading is in terms of the actual — of life as it has been , is ...
... aesthetic because scientific in a broad relational sense . The tiger is studied within the context of the forms , processes , and manifestations of or- ganic life . The reading is in terms of the actual — of life as it has been , is ...
Stran 396
... aesthetic interests and the other great human interests ; ( 2 ) how art is to be viewed biologi- cally , in terms of general human adjustments ; ( 3 ) to what extent an aesthetic reading can be given to the world- process , or Cosmos ...
... aesthetic interests and the other great human interests ; ( 2 ) how art is to be viewed biologi- cally , in terms of general human adjustments ; ( 3 ) to what extent an aesthetic reading can be given to the world- process , or Cosmos ...
Vsebina
The Field of Aesthetics | 3 |
NOTES AND ADDITIONS | 11 |
The Methods of Aesthetics | 15 |
Avtorske pravice | |
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Aeschylus aesthetic aesthetic types aesthetician aims appears architecture Aristophanes artistic Banister Fletcher beauty become body Cézanne character color comic complex contrast creative cubist dance dancer decorative distortion drama effects emotional example experience expressionism expressionistic expressive Falstaff Fauvism feeling force free verse gained give Greek human idea ideals imagery imaginative impulses individual intensity interest interpretation John Brown's Body laughter light lines living mark mass material means method mind modern mood moral motor move movement naturalistic nature novel objects organization Othello painter painting patterns picture play pleasure poem poet poetry post-expressionism problem program music psychic purpose relation reshaping response reveals rhythm rhythmic Rodin romanticism scheme sculpture self-expression sense shaping shows simple social space spirit Strange Interlude structure sublime surfaces sympathetic technique theme theory things tion tive tragedy tragic ture turn unity Vachel Lindsay values verism verse vision visual