Essays on the Fine Arts

abstract admirable antique appearance artist beauty character Claude Claude Lorraine colour common composition copy Correggio countenance delicacy delight Domenichino effect elegant Elgin Marbles English excellence execution exhibition expression face fame fancy feeling figure finest Fleet Street Fonthill Abbey Gallery genius give grace grandeur hand head highest Hogarth human idea ideal imagination imitation impression Lady Lady Morgan landscape large paper light and shade living look manner Marriage à-la-Mode master Michael Angelo mind modern nature never Nicholas Poussin objects original painted painter passion Paul Veronese pencil perfect persons Phidias picture portraits Poussin pretend principle produce Raffaelle Raffaelle's refinement Rembrandt Rome Royal Academy Rubens Salvator Salvator Rosa scene sculpture seems seen sense Sir Joshua Reynolds Soane Museum soul spirit striking style supposed taste Theseus thing thought tion Titian true truth Vandyck whole