The Arts and Their InterrelationsLiberal Arts Press, 1949 - 559 strani |
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Zadetki 1–3 od 80
Stran 235
... organization of knowledge have changed greatly during the last century , through the influence of Comte , Spencer , Bain , Karl Pearson , Wundt , and other philosophers discussed by Flint and Bliss . These theories have influenced ...
... organization of knowledge have changed greatly during the last century , through the influence of Comte , Spencer , Bain , Karl Pearson , Wundt , and other philosophers discussed by Flint and Bliss . These theories have influenced ...
Stran 236
... organization of studies from an entirely different point of view , in which the influence of John Dewey has been paramount . Instead of stressing logical organization of subjects , it stresses the growth and needs of the individual ...
... organization of studies from an entirely different point of view , in which the influence of John Dewey has been paramount . Instead of stressing logical organization of subjects , it stresses the growth and needs of the individual ...
Stran 240
... organization which gives them stability and broad significance . They may acquire only a personal , episodic sort of organization , in terms of one immediate situation after another . More stable , generalized ways of integrating facts ...
... organization which gives them stability and broad significance . They may acquire only a personal , episodic sort of organization , in terms of one immediate situation after another . More stable , generalized ways of integrating facts ...
Vsebina
THE NEED FOR CLEAR THINKING ABOUT | 3 |
Classification of the arts as a problem of philosophy | 14 |
The need for flexible concepts and methods | 20 |
Avtorske pravice | |
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abstract abstract types activity aesthetic arts aesthetic experience aestheticians applied architecture Aristotle artist auditory Baroque basic basis beauty broad called classed classification color combined complex composing composition creative cultural dance decorative decorative arts defined definition of art distinction distinguish division drama effect emotion emphasis especially example expression factor field fine arts functions hedonist Hegel human ideas images imitation imply important individual industrial arts industrial design involves John Dewey kind less liberal arts literature lower-sense materials meaning medium modern modes nature object organization painting and sculpture particular arts performance phase philosophers plastic arts Plato pleasure poetry practical present prose psychological qualities realm representation representative says sculpture sense sensory skill sometimes space arts styles suggest symbolic technical techniques theater thematic theory things tion Tolstoy traditional types of art usually utilitarian vague various visual arts words