A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 52
Stran 172
... action ? And what is the value of this general action if it be not an action of the · spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " ...
... action ? And what is the value of this general action if it be not an action of the · spirit of the author ? The secular disputes concerning dra- matic unity are interesting in this connection ; they are first applied to the unity of " ...
Stran 181
... action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things and ourselves , externally to things , externally also to our- selves . From time to time , however , in a fit of ...
... action , tempted by it , for our own good , on to the field it has selected , we live in a zone midway between things and ourselves , externally to things , externally also to our- selves . From time to time , however , in a fit of ...
Stran 382
... action , and any concert - goer must have realized the impropriety of the view that action is the proper outcome of esthetic appre- ciation . When impulses are " harmonized " on the other hand they work together , and such disciplined ...
... action , and any concert - goer must have realized the impropriety of the view that action is the proper outcome of esthetic appre- ciation . When impulses are " harmonized " on the other hand they work together , and such disciplined ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words