A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 78
Stran 292
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
... activity . " And in all this I feel vigorous , free , certain , resilient , perhaps proud and the like . This sort of feeling is always the ground of esthetic enjoyment . One can see that this ground occupies a middle position between ...
Stran 299
... activity , in the sense that I overtly imitate the observed activity . But this outward consummation of the movements may not take place . For this there are several reasons ; for example , regard for good manners . But the chief ...
... activity , in the sense that I overtly imitate the observed activity . But this outward consummation of the movements may not take place . For this there are several reasons ; for example , regard for good manners . But the chief ...
Stran 300
... activity , the striving and satisfaction I feel as I contemplate the movements en- acted before me . To be sure , every striving is by its nature a striving after the realization of its end . But this realization is not lacking here . I ...
... activity , the striving and satisfaction I feel as I contemplate the movements en- acted before me . To be sure , every striving is by its nature a striving after the realization of its end . But this realization is not lacking here . I ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words