A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 77
Stran 186
... character . In this sense only is he universally true . The same holds good of all the other products of art . Each of them is unique , and yet , if it bear the stamp of genius , it will come to be ac- cepted by everybody . Why will it ...
... character . In this sense only is he universally true . The same holds good of all the other products of art . Each of them is unique , and yet , if it bear the stamp of genius , it will come to be ac- cepted by everybody . Why will it ...
Stran 187
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Stran 320
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
... character . Its peculiar- ity lies in that the personal character of the relation has been , so to speak , filtered . It has been cleared of the prac- tical , concrete nature of its appeal , without , however , thereby losing its ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words