A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 22
Stran 219
... classicism , which , though it was perhaps provisional and made by the moment , yet differed more profoundly from the spirit of romanticism than any former classicism . Thus classicism breaks down and is built up 2 The French must ...
... classicism , which , though it was perhaps provisional and made by the moment , yet differed more profoundly from the spirit of romanticism than any former classicism . Thus classicism breaks down and is built up 2 The French must ...
Stran 220
... classicism of Montaigne . At the opposite pole of the spirit , Dante holds a key to the universe that allows him to give objective significance and order to his feelings . Dante is a classicist because for him . the reality of his ...
... classicism of Montaigne . At the opposite pole of the spirit , Dante holds a key to the universe that allows him to give objective significance and order to his feelings . Dante is a classicist because for him . the reality of his ...
Stran 221
... Classicism strives to be complete , even to its own detri- ment , and it does not feel itself complete unless it ... classicism the third dimension of the moral nature . At times this dimension is real , as in Montaigne , at times it is ...
... Classicism strives to be complete , even to its own detri- ment , and it does not feel itself complete unless it ... classicism the third dimension of the moral nature . At times this dimension is real , as in Montaigne , at times it is ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words