A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 29
Stran 129
... distinction between the two fields in an act of judg- ment . This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first ...
... distinction between the two fields in an act of judg- ment . This is an important distinction and must not be lost sight of ; we shall refer to it again . But at this point I wish to refer to one special emphasis considered in the first ...
Stran 169
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
... distinction between the intuition and imagining , insist- ing that whatever the artistic work , it should be simplex et unum ; or of the allied concept of unity in variety - that is to say , the multiple images were to find their common ...
Stran 463
... distinction is that between bad art and good art , and this distinction , between things that meet the requirements of art and those that do not , applies equally to things of use and of beauty . Capacity to offer to perception meaning ...
... distinction is that between bad art and good art , and this distinction , between things that meet the requirements of art and those that do not , applies equally to things of use and of beauty . Capacity to offer to perception meaning ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words