A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 86
Stran 291
... esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or im- agined , and it is only this . I have a feeling of joy before a beautiful ...
... esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object is always sensuous , that is , sensuously perceived or im- agined , and it is only this . I have a feeling of joy before a beautiful ...
Stran 303
... esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation ...
... esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense - feelings which a real man would have who thus arises , do not exist for my esthetic contemplation ...
Stran 482
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) London , 1922. The ...
... Esthetic Expression " in Philosophical Review , XXXV ( 1926 ) , pp . 221-235 . Reprinted in Gilbert's Studies in ... Esthetic as Science of Expression and General Lin- guistic . ( Translated by Douglas Ainslee . ) London , 1922. The ...
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VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words