A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 40
Stran 76
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
... interest in knowledge as the sole interest in art , whereas all other interests may with equal right be satisfied there , and the interest in understanding invariably follows the track of some other desire . In pessimistic art , for ...
Stran 162
... interests , with their relative pleasures and pains , mingle and sometimes become confused with art and disturb , but are never iden- tified with , our esthetic interest . At the most it will be affirmed , with a view to maintaining ...
... interests , with their relative pleasures and pains , mingle and sometimes become confused with art and disturb , but are never iden- tified with , our esthetic interest . At the most it will be affirmed , with a view to maintaining ...
Stran 172
... interest , " and the interest would have to be in its turn dissolved in the inter- est of the spirit of the poet - that is , in his intimate aspira- tion , in his feeling . The negative issue of the great dispute between classicists and ...
... interest , " and the interest would have to be in its turn dissolved in the inter- est of the spirit of the poet - that is , in his intimate aspira- tion , in his feeling . The negative issue of the great dispute between classicists and ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words