A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 74
Stran 105
... matter - that is , not considering the quality of the feelings it transmits . How in art are we to decide what is good and what is bad in subject - matter ? Art , like speech , is a means of communication and there- fore of progress ...
... matter - that is , not considering the quality of the feelings it transmits . How in art are we to decide what is good and what is bad in subject - matter ? Art , like speech , is a means of communication and there- fore of progress ...
Stran 211
... matter is to say that it is a lightning of mind on a matter intelligently arranged . The mind re- joices in the beautiful because in the beautiful it finds itself again : recognizes itself , and comes into contact with its very own ...
... matter is to say that it is a lightning of mind on a matter intelligently arranged . The mind re- joices in the beautiful because in the beautiful it finds itself again : recognizes itself , and comes into contact with its very own ...
Stran 214
... matter . Last and most important : this very brilliance of form , the essence of beauty , shines on matter in an infinite variety of ways.15 At one time it is the sensible brilliance of color or tone , at another the intelligible ...
... matter . Last and most important : this very brilliance of form , the essence of beauty , shines on matter in an infinite variety of ways.15 At one time it is the sensible brilliance of color or tone , at another the intelligible ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words