A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 43
Stran 248
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
... move me , and A , D , E , F the works that move you , it may well be that x is the only quality believed by either of us to be common to all the works in his list . We may all agree about esthetics , and yet differ about particular ...
Stran 253
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
... move us ; I should not have traveled by other roads had I enquired , instead , why certain combinations are perceived to be right and necessary , and why our perception of their rightness and necessity is moving . What I have to say is ...
Stran 260
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between ...
... move most of us in at all the same way as a work of art moves us . It is beautiful form , but it is not significant form . It moves us , but it does not move us esthetically . It is tempting to explain the differ- ence between ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words