A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 74
Stran 278
... painted cloth . By considering the art of painting , it is still easier to establish our argument concerning the artistic function of pure forms . The most obvious and easily distinguishable pure forms which painting employs are line ...
... painted cloth . By considering the art of painting , it is still easier to establish our argument concerning the artistic function of pure forms . The most obvious and easily distinguishable pure forms which painting employs are line ...
Stran 370
... painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing and fishing ...
... painter must really succeed , the frame alone cannot isolate that bit of experience . If his painting is nothing but a colored photograph which makes us ask , what the name of that shore is , whether there is good bathing and fishing ...
Stran 486
... Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934- Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis " in Hogarth Essays . London , 1924 . ( About half ...
... Painting . London , 1929. An Account of French Painting . London , 1932. Enjoying Pictures . London , 1934- Fry : Vision and Design . London , 1920. " The Artist and Psycho - Analysis " in Hogarth Essays . London , 1924 . ( About half ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words