A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 39
Stran 160
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
... physical phenomena with art . And if it be asked why art cannot be a physical fact , we must reply , in the first place , that physical facts do not possess reality , and that art , to which so many de- vote their whole lives and which ...
Stran 161
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
... physical fact in this second sense , either ; which amounts to saying that when we propose to ourselves to penetrate its nature and mode of action , to construct it physically is of no avail . Another negation is implied in the ...
Stran 198
... physical side of language . We glance at its words and do not sound them . And Shel- ley , as we saw , says something very like that . But at the very beginning of all this notion , as we said , there is a blunder . Things , it is true ...
... physical side of language . We glance at its words and do not sound them . And Shel- ley , as we saw , says something very like that . But at the very beginning of all this notion , as we said , there is a blunder . Things , it is true ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words