A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 96
Stran 117
... pleasures , which are evanescent , and summations or " fields " of pleasure , which are relatively permanent . Such pleasure- fields are achieved , when ( 1 ) the total state of pleasure is the summation of a number of mild pleasures ...
... pleasures , which are evanescent , and summations or " fields " of pleasure , which are relatively permanent . Such pleasure- fields are achieved , when ( 1 ) the total state of pleasure is the summation of a number of mild pleasures ...
Stran 130
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
... pleasure in various ways , although experience and theory both deny the possibility of there being any permanency of any specific pleasure . In the first place we should find , if we stopped to study the nature of pleasure , that the ...
Stran 148
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
... Pleasure , and Esthetics will remember his theory concerning the physiological basis of pleasure . Pleasure , he thinks , is never a separable datum but always a quality attaching to a sensation that yields other qualities as well ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words