A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 47
Stran 192
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why do artists make different patterns , or treat the ...
... question takes us , I believe , to the precise root and source of the whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why do artists make different patterns , or treat the ...
Stran 193
... question of esthetics , which is " how feeling and its body are created adequate to one another . " It is parallel to the question in general philosophy , " Why the soul has a body . " It is the same sort of thing as the theory of the ...
... question of esthetics , which is " how feeling and its body are created adequate to one another . " It is parallel to the question in general philosophy , " Why the soul has a body . " It is the same sort of thing as the theory of the ...
Stran 293
... question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a ...
... question about the object of esthetic enjoyment may be answered in a two - fold manner . On the one hand it can be said : Esthetic pleasure has no object at all . The esthetic enjoyment is not enjoyment of an object , but enjoyment of a ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words