A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 77
Stran 197
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
Stran 199
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
... seems to me a profound error of prin- ciple , a false idealism . It meets us , however , throughout Croce's system , according to which " intuition " -the inward vision of the artist - is the only true expression . External media , he ...
Stran 353
... seems to have evaded it . He seems to have tried gallantly to deform it , to break its human aspect , to dehumanize it . With the things represented in the traditional picture , we might live in the imagination . Many Englishmen have ...
... seems to have evaded it . He seems to have tried gallantly to deform it , to break its human aspect , to dehumanize it . With the things represented in the traditional picture , we might live in the imagination . Many Englishmen have ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words