A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 90
Stran 149
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
... sense of beauty . " Beauty , " the author writes , " is relatively stable , or real pleasure . Any pleasant element may become part of the field that is relatively stable . We call an object beautiful which seems always to yield pleas ...
Stran 303
... sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense ...
... sense - feelings which I impute to the object of contemplation , have some significance for esthetic enjoyment . This I must deny no less emphatically . When I see the sculptured image of a man in the act of rising , the sense ...
Stran 461
... Sense of moving tendencies supplies thrill , stimula- tion , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
... Sense of moving tendencies supplies thrill , stimula- tion , excitation ; sense of completion , consummation , affords composure , form , measure , composition . Emphasize the latter , and appreciation is of the classic type . This type ...
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VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words