A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 42
Stran xxxii
... social order re- mained secure , the esthetic of " self - expression " was not seriously challenged . But to - day a new social order is bursting upon us . Everywhere there are signs of change . I need only men- tion the mighty upheaval ...
... social order re- mained secure , the esthetic of " self - expression " was not seriously challenged . But to - day a new social order is bursting upon us . Everywhere there are signs of change . I need only men- tion the mighty upheaval ...
Stran xxxiv
... social engineer- ing . Any philosophy of art that hopes to stand must recognize the need of such an alliance . The esthetician must join with the scientist , the engineer , and the social idealist , igniting mind against mind in the ...
... social engineer- ing . Any philosophy of art that hopes to stand must recognize the need of such an alliance . The esthetician must join with the scientist , the engineer , and the social idealist , igniting mind against mind in the ...
Stran 409
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as gave courage and understanding to the ...
... social milieu as the palaces and monasteries that the antiquarian art dealer and collector had begun to loot . The educational aim of the arts and crafts movement was admirable ; and , in so far as gave courage and understanding to the ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words