A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
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Zadetki 1–3 od 94
Stran xiv
... theory " of Lange and Groos , the " will to power theory " of Nietzsche , the " wish - fulfillment " theory of Freud and Parker , the " objectification " theory of San- tayana , the " emotionalist " theory of Véron and Tolstoy , the ...
... theory " of Lange and Groos , the " will to power theory " of Nietzsche , the " wish - fulfillment " theory of Freud and Parker , the " objectification " theory of San- tayana , the " emotionalist " theory of Véron and Tolstoy , the ...
Stran 4
... theory , but advances an interesting theory of art as illusion , thereby providing what is perhaps the closest mod- ern counterpart to the famous " imitation " theory of Aris- totle . The ideas of Lange are supported in certain respects ...
... theory , but advances an interesting theory of art as illusion , thereby providing what is perhaps the closest mod- ern counterpart to the famous " imitation " theory of Aris- totle . The ideas of Lange are supported in certain respects ...
Stran 477
... theories of esthetics , with an elaboration of the emotionalist theory . ) Encyclopædia Britannica : " Esthetics " in XI , XIII , and XIV Editions . Also Paintings , Sculpture , Graphic Arts . ( Vol- umes published separately by the ...
... theories of esthetics , with an elaboration of the emotionalist theory . ) Encyclopædia Britannica : " Esthetics " in XI , XIII , and XIV Editions . Also Paintings , Sculpture , Graphic Arts . ( Vol- umes published separately by the ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
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abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words