A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 strani |
Iz vsebine knjige
Zadetki 1–3 od 81
Stran 49
... whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the is as little sup- appearance posable during intense enjoyment as the idea , " This is only a pretense . " What ...
... whole treatise spoken not of the idea but of the feeling of being a cause . A conscious idea that we ourselves produce the is as little sup- appearance posable during intense enjoyment as the idea , " This is only a pretense . " What ...
Stran 192
... whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
... whole principle of esthetic expressiveness . We should begin , I am convinced , from the very sim- plest facts . Why ... whole ' body - and - mind , ' as Plato puts it in building up his account of psychical unity on the single sentence ...
Stran 194
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
... whole range and working of the esthetic imagination in the province of fine art , which is its special province . To this doctrine belongs the very fruitful modern topic of the relation of beautiful handicraft with the workman's life ...
Vsebina
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Avtorske pravice | |
10 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
abstract activity appears appreciation artist balance beauty become BENEDETTO CROCE C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words