Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 39
Stran 148
Elizabeth A. Drew, John L. Sweeney. W. B. YEATS ... the phantasmagoria through which I can alone express my convictions about the world . Preface to The Wild Swans at Coole IN AN essay on Poetry and Tradition Yeats defines Style as ...
Elizabeth A. Drew, John L. Sweeney. W. B. YEATS ... the phantasmagoria through which I can alone express my convictions about the world . Preface to The Wild Swans at Coole IN AN essay on Poetry and Tradition Yeats defines Style as ...
Stran 165
... Yeats im- plied in the last poem , ' that no two civilizations prove or assume the same things , but behind both hides the un- changing experience of simple men and women . ' None of these things is stated in the poem , but they are all ...
... Yeats im- plied in the last poem , ' that no two civilizations prove or assume the same things , but behind both hides the un- changing experience of simple men and women . ' None of these things is stated in the poem , but they are all ...
Stran 222
... Yeats in his use of the words ' gong ' and ' dolphin , ' the description of the sense - world as " That dolphin - torn , that gong - tor- mented sea ' loses its force . The poetry of Yeats or of Eliot has to be studied deeply , read and ...
... Yeats in his use of the words ' gong ' and ' dolphin , ' the description of the sense - world as " That dolphin - torn , that gong - tor- mented sea ' loses its force . The poetry of Yeats or of Eliot has to be studied deeply , read and ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
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Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats