Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 21
Stran 33
... appears as if his relations with his fellow men are limited to fulsome praise of the members of his own group , and embittered attacks upon members of other groups . Instead of the poet being a man talking to men , or even a member of ...
... appears as if his relations with his fellow men are limited to fulsome praise of the members of his own group , and embittered attacks upon members of other groups . Instead of the poet being a man talking to men , or even a member of ...
Stran 77
... appears , ' susceptive ' gives both sound and motion to the leaves in the second poem . Or he will introduce a ... appear on his horizon ; no peculiarities , human or zoological , except the actors in an occasional allegory ; no flashing ...
... appears , ' susceptive ' gives both sound and motion to the leaves in the second poem . Or he will introduce a ... appear on his horizon ; no peculiarities , human or zoological , except the actors in an occasional allegory ; no flashing ...
Stran 257
... appears unconsciously to use every value which can be wrung from his medium . Music , meaning , memory ; simplicity and ornament ; visual image and abstract idea ; dramatic force and lyric intensity ; direct statement and oblique ...
... appears unconsciously to use every value which can be wrung from his medium . Music , meaning , memory ; simplicity and ornament ; visual image and abstract idea ; dramatic force and lyric intensity ; direct statement and oblique ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats