Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 20
Stran 80
... associations . In the past these associations were al- ways suggested by some central idea , openly stated in the poem ; but in modern metaphysical verse , this central idea may not be stated logically in the poem at all . The poets ...
... associations . In the past these associations were al- ways suggested by some central idea , openly stated in the poem ; but in modern metaphysical verse , this central idea may not be stated logically in the poem at all . The poets ...
Stran 83
... associations the only difficulty of this type of poetry . The difficulty in Empson is that of intense compression and mental subtlety . But the associations released by each metaphor are profoundly logical . As I. A. Richards has said ...
... associations the only difficulty of this type of poetry . The difficulty in Empson is that of intense compression and mental subtlety . But the associations released by each metaphor are profoundly logical . As I. A. Richards has said ...
Stran 92
... associations which should com- municate its reality without further elucidation ( in much the way that modern painters such as Matisse and Picasso and masters such as El Greco and Cézanne have distorted the conventional ...
... associations which should com- municate its reality without further elucidation ( in much the way that modern painters such as Matisse and Picasso and masters such as El Greco and Cézanne have distorted the conventional ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats