Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 133
... beauty as the flowers do . Oh leave off saying I want you to be savages . Tell me , is the gentian savage , at the top of its coarse stem ? Oh what in you can answer to this blueness ? · Tell me ! tell me ! is there in you a beauty to ...
... beauty as the flowers do . Oh leave off saying I want you to be savages . Tell me , is the gentian savage , at the top of its coarse stem ? Oh what in you can answer to this blueness ? · Tell me ! tell me ! is there in you a beauty to ...
Stran 207
... Beauty Bare : Euclid alone has looked on Beauty bare . Let all who prate of Beauty hold their peace , And lay them prone upon the earth and cease To ponder on themselves , the while they stare At nothing , intricately drawn nowhere In ...
... Beauty Bare : Euclid alone has looked on Beauty bare . Let all who prate of Beauty hold their peace , And lay them prone upon the earth and cease To ponder on themselves , the while they stare At nothing , intricately drawn nowhere In ...
Stran 208
... Beauty are stock re- sponses , immediately evoking the reaction of facile epi- thets like ' blinding , ' ' holy , ' ' terrible ' ( compare Yeats ' precise use in ' a terrible beauty is born ' in Easter 1916 ) . Nor is there anything of ...
... Beauty are stock re- sponses , immediately evoking the reaction of facile epi- thets like ' blinding , ' ' holy , ' ' terrible ' ( compare Yeats ' precise use in ' a terrible beauty is born ' in Easter 1916 ) . Nor is there anything of ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats