Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 19
Stran 81
... called it a ' mild little epigram , ' and wrote : So far as I can see , the thing only means more than what it claims to say - that is , applies to other things than this tree in Kew - by a kind of generalisation : I felt that other ...
... called it a ' mild little epigram , ' and wrote : So far as I can see , the thing only means more than what it claims to say - that is , applies to other things than this tree in Kew - by a kind of generalisation : I felt that other ...
Stran 142
... called photography . The more fluid , the more chaotic the religious and ethical beliefs , the more the drama must tend in the direction of liturgy . Thus there would be some constant relation between drama and the religion of the time ...
... called photography . The more fluid , the more chaotic the religious and ethical beliefs , the more the drama must tend in the direction of liturgy . Thus there would be some constant relation between drama and the religion of the time ...
Stran 234
... called into being by the new quality of experience sensed particularly by the French Symbolists , and widely developed by contem- porary English and American writers . A new image pat- tern was required which could convey both rapid ...
... called into being by the new quality of experience sensed particularly by the French Symbolists , and widely developed by contem- porary English and American writers . A new image pat- tern was required which could convey both rapid ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats