Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 25
Stran 39
... century . But literature , which had been nourished by the general vigor of the time , and not at all by the practical interests of the period , declined as the spirit it- self dispersed . Before the end of the century that positive ...
... century . But literature , which had been nourished by the general vigor of the time , and not at all by the practical interests of the period , declined as the spirit it- self dispersed . Before the end of the century that positive ...
Stran 40
... century and early twentieth is full of theories and isms - Symbolism , Futurism , Imagism , Vorticism , Expressionism , Dadaism , Surrealism - which provided artistic creeds for artist groups , and set the in- dividual artist apart from ...
... century and early twentieth is full of theories and isms - Symbolism , Futurism , Imagism , Vorticism , Expressionism , Dadaism , Surrealism - which provided artistic creeds for artist groups , and set the in- dividual artist apart from ...
Stran 202
... century romantic temperament in a nineteenth century romantic vehicle . Her psychological needs are amply satisfied in words and rhythms which have carried emotion many times before , and therefore awaken an immediate response in the ...
... century romantic temperament in a nineteenth century romantic vehicle . Her psychological needs are amply satisfied in words and rhythms which have carried emotion many times before , and therefore awaken an immediate response in the ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats