Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 14
Stran 187
... complete : there is nothing whatever superfluous in the poem . The only question is whether there is enough there to make a poem at all : whether the bare bones live and whether their chirping is poetry . Now it is clear that all these ...
... complete : there is nothing whatever superfluous in the poem . The only question is whether there is enough there to make a poem at all : whether the bare bones live and whether their chirping is poetry . Now it is clear that all these ...
Stran 213
... Complete the dark confessions her veins spell . Mark how her turning shoulders wind the hours , And hasten while her penniless rich palms Pass superscription of bent foam and wave , — Hasten , while they are true , -sleep , death ...
... Complete the dark confessions her veins spell . Mark how her turning shoulders wind the hours , And hasten while her penniless rich palms Pass superscription of bent foam and wave , — Hasten , while they are true , -sleep , death ...
Stran 237
... complete freedom is triumphant ; but such a triumph is rare . A great poetic craftsman finds his source of energy more often in the dramatic possibili- ties of the conflict between the variations of emotional tone in his poem , of the ...
... complete freedom is triumphant ; but such a triumph is rare . A great poetic craftsman finds his source of energy more often in the dramatic possibili- ties of the conflict between the variations of emotional tone in his poem , of the ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats