Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 53
Stran 21
Elizabeth A. Drew, John L. Sweeney. listener's consciousness physical and mental and spiritual experiences which ... conscious enjoyment of poetry raises two questions . First , what is the quality , the width , the depth , the color- ing ...
Elizabeth A. Drew, John L. Sweeney. listener's consciousness physical and mental and spiritual experiences which ... conscious enjoyment of poetry raises two questions . First , what is the quality , the width , the depth , the color- ing ...
Stran 31
... consciousness than that of the ordinary man . But in earlier days the emphasis fell on the amount poets possessed in common with the ordinary man . The basis of their communication was the intellectual and emotional experience of the ...
... consciousness than that of the ordinary man . But in earlier days the emphasis fell on the amount poets possessed in common with the ordinary man . The basis of their communication was the intellectual and emotional experience of the ...
Stran 84
... consciousness of all its clutter and jungle of familiar asso- ciations in an effort to clear space for the revelation of a transcendent reality . The results , as far as English and American poetry is concerned , have been a series of ...
... consciousness of all its clutter and jungle of familiar asso- ciations in an effort to clear space for the revelation of a transcendent reality . The results , as far as English and American poetry is concerned , have been a series of ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats