Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 11
... critic . It is easy to illustrate its severity from the past history of criticism . We all know the wel- come which Wordsworth and , later , Keats received at the hands of the reviewers . We can come even nearer home than that ...
... critic . It is easy to illustrate its severity from the past history of criticism . We all know the wel- come which Wordsworth and , later , Keats received at the hands of the reviewers . We can come even nearer home than that ...
Stran 13
... criticism as in life are inclined to be slightly insipid . It is impossible to have a lively interest in poetry and not to have strong personal feelings about it ; and in the end every reader must own that though he may try to be de ...
... criticism as in life are inclined to be slightly insipid . It is impossible to have a lively interest in poetry and not to have strong personal feelings about it ; and in the end every reader must own that though he may try to be de ...
Stran 290
... Criticism . New York : Holt , 1926 . with Osbert and Sacheverell Sitwell . Trio . London : Macmillan , 1938 . Speir , John . The Scots Literary Tradition . London : Chatto and Windus , 1940 . Spender , Stephen . The Destructive Element ...
... Criticism . New York : Holt , 1926 . with Osbert and Sacheverell Sitwell . Trio . London : Macmillan , 1938 . Speir , John . The Scots Literary Tradition . London : Chatto and Windus , 1940 . Spender , Stephen . The Destructive Element ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats