Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 23
Stran 59
... dead ? Who are the living and the dead ? And nothing more was said . . . . The tone of the age is as pessimistic as Hardy's , but there is none of Hardy's energetic skepticism and solid unmitigated acceptance of the cruelty of the ...
... dead ? Who are the living and the dead ? And nothing more was said . . . . The tone of the age is as pessimistic as Hardy's , but there is none of Hardy's energetic skepticism and solid unmitigated acceptance of the cruelty of the ...
Stran 76
... Dead Boy , for example : The little cousin is dead , by foul subtraction , A green bough from Virginia's aged tree , And neither the county kin love the transaction Nor some of the world of outer dark , like me . Or again in Vaunting ...
... Dead Boy , for example : The little cousin is dead , by foul subtraction , A green bough from Virginia's aged tree , And neither the county kin love the transaction Nor some of the world of outer dark , like me . Or again in Vaunting ...
Stran 295
... Dead Boy , 76 ; Eclogue , 75 ; The Equilibrists , 208-11 ; Grace , 78 ; John Whiteside's Daugh- ter , 77 ; Miriam Tazewell , 77 ; Miss Euphemia , 77 ; Vaunting Oak , 76 ; Winter Remembered , 75 Read , Herbert , 25 , 192 Richards , I. A. ...
... Dead Boy , 76 ; Eclogue , 75 ; The Equilibrists , 208-11 ; Grace , 78 ; John Whiteside's Daugh- ter , 77 ; Miriam Tazewell , 77 ; Miss Euphemia , 77 ; Vaunting Oak , 76 ; Winter Remembered , 75 Read , Herbert , 25 , 192 Richards , I. A. ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats