Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 28
Stran 44
... direct statement , Eliot thus constructs all his ideas in the form of concrete images which do their work by their impact on the reader's senses , making him feel the force of the abstract ideas behind the passage . In The Waste Land ...
... direct statement , Eliot thus constructs all his ideas in the form of concrete images which do their work by their impact on the reader's senses , making him feel the force of the abstract ideas behind the passage . In The Waste Land ...
Stran 165
... direct sensual picture ; and the emotional coloring suggested by ' those terrified vague fingers ' and the fierce pulse of ' the strange heart beating where it lies . ' And from that moment of time when all these things meet , merge and ...
... direct sensual picture ; and the emotional coloring suggested by ' those terrified vague fingers ' and the fierce pulse of ' the strange heart beating where it lies . ' And from that moment of time when all these things meet , merge and ...
Stran 257
... direct statement and oblique suggestion ; color , light , power , are distilled from the whole mass of language into the spirit of poetry . His words are alive in every part of their being - body , mind and heart . Lesser poets tend to ...
... direct statement and oblique suggestion ; color , light , power , are distilled from the whole mass of language into the spirit of poetry . His words are alive in every part of their being - body , mind and heart . Lesser poets tend to ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats