Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 31
Stran 142
... drama can and should tend towards realism , I say towards , I do not say arrive at . The more definite the religious and ethical principles , the more freely the drama can move towards what is now called photography . The more fluid ...
... drama can and should tend towards realism , I say towards , I do not say arrive at . The more definite the religious and ethical principles , the more freely the drama can move towards what is now called photography . The more fluid ...
Stran 147
... dramatic poetry and not of poetic drama . For the movement of these passages is outward from within , whereas the truly dramatic moves inward from without . The movement of drama is from the world of Thebes or Elsinore to the world ...
... dramatic poetry and not of poetic drama . For the movement of these passages is outward from within , whereas the truly dramatic moves inward from without . The movement of drama is from the world of Thebes or Elsinore to the world ...
Stran 283
... drama . But drama must be dramatic , and the poet cannot compass dramatic imagination to order . First - rate descriptive and analytic verse , such as the choruses in The Dog beneath the Skin , or the brilliant doggerel - dialogue in ...
... drama . But drama must be dramatic , and the poet cannot compass dramatic imagination to order . First - rate descriptive and analytic verse , such as the choruses in The Dog beneath the Skin , or the brilliant doggerel - dialogue in ...
Vsebina
H LAWRENCE | 9 |
353 | 19 |
THE POET AND HIS MEDIUM | 175 |
Avtorske pravice | |
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achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dead death direct dramatic Dylan Thomas E. E. Cummings emotional emphasis environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea idiom illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats