Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 48
Stran 81
... emotional shorthand . Associations leap as indirectly as the knight's move in chess , the approach to the ' subject ' is oblique or peripheral , and ' meaning ' in the usual sense of the word is kept se- verely in purdah . Take , for ...
... emotional shorthand . Associations leap as indirectly as the knight's move in chess , the approach to the ' subject ' is oblique or peripheral , and ' meaning ' in the usual sense of the word is kept se- verely in purdah . Take , for ...
Stran 207
... emotional appre- hension of the awe and loveliness of pure naked abstrac- tions ; but neither the substance nor the shaping of the poem creates any feeling of emotional or intellectual in- tensity at all . There is a general emotional ...
... emotional appre- hension of the awe and loveliness of pure naked abstrac- tions ; but neither the substance nor the shaping of the poem creates any feeling of emotional or intellectual in- tensity at all . There is a general emotional ...
Stran 216
... emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can communicate much without an ...
... emotional coloring , by their power of direct or indirect suggestion and reverbera- tion , by their richness and fertility of significance and scope . This inevitably means that the poem is difficult . It can communicate much without an ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats