Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 30
Stran 47
Elizabeth A. Drew, John L. Sweeney. Give . Sympathize . Control . The Peace which passeth understanding . ' But this ... gives no explicit criticism of the modern world . The method , as well as the theme , of The Waste Land is that of ...
Elizabeth A. Drew, John L. Sweeney. Give . Sympathize . Control . The Peace which passeth understanding . ' But this ... gives no explicit criticism of the modern world . The method , as well as the theme , of The Waste Land is that of ...
Stran 77
... gives both sound and motion to the leaves in the second poem . Or he will introduce a fragment of dia- lect , as in Here Lies a Lady , where the plain personality of ' thole ' confirms the simplicity and ease of its elegiac mood : Sweet ...
... gives both sound and motion to the leaves in the second poem . Or he will introduce a fragment of dia- lect , as in Here Lies a Lady , where the plain personality of ' thole ' confirms the simplicity and ease of its elegiac mood : Sweet ...
Stran 106
... gives the impression of a splintered person- ality unsure of itself , and lacking fundamental convictions -that element which gives direction and permanence to the Eliot of Ash Wednesday , to D. H. Lawrence or Yeats , or to smaller ...
... gives the impression of a splintered person- ality unsure of itself , and lacking fundamental convictions -that element which gives direction and permanence to the Eliot of Ash Wednesday , to D. H. Lawrence or Yeats , or to smaller ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats