Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 31
Stran 87
... hand- maid of psychoanalysis . With the conscious and deliberate entry of material drawn from associations private and particular to the personality of the poet , the responses of the reader are clearly required to do a great deal more ...
... hand- maid of psychoanalysis . With the conscious and deliberate entry of material drawn from associations private and particular to the personality of the poet , the responses of the reader are clearly required to do a great deal more ...
Stran 147
... hand , the play in its totality of action , speech and character is static and comes to life only at those oc ... hands of such a skillful and sensitive tech- nician . But whether it will support the more varied and involved movement of ...
... hand , the play in its totality of action , speech and character is static and comes to life only at those oc ... hands of such a skillful and sensitive tech- nician . But whether it will support the more varied and involved movement of ...
Stran 269
... hand , the disparity between the Venice of the modern tourist , academic or vulgar , and the Venice of noble tradition , and on the other hand , the contrast between heroic loves and coarse THE POET'S TONGUE 269.
... hand , the disparity between the Venice of the modern tourist , academic or vulgar , and the Venice of noble tradition , and on the other hand , the contrast between heroic loves and coarse THE POET'S TONGUE 269.
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats