Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 16
Stran 68
... illustration is nothing without the application ' ; and she demands of her readers that their minds shall follow hers in leaping by fifths and sevenths from point to point like the jerboa in her poem . She has affinities of spirit with ...
... illustration is nothing without the application ' ; and she demands of her readers that their minds shall follow hers in leaping by fifths and sevenths from point to point like the jerboa in her poem . She has affinities of spirit with ...
Stran 221
... illustration from the past , but there are many illustrations in the present age . The break with tradition and the rapid decay of a central cultural heritage have caused a shrinking and shriveling of that common stock of familiar ...
... illustration from the past , but there are many illustrations in the present age . The break with tradition and the rapid decay of a central cultural heritage have caused a shrinking and shriveling of that common stock of familiar ...
Stran 271
... Illustrated London News . They are simply an illustration and a remark which the poet found already phrased to suit her purpose . Having found it , she took a craftsman's delight in fitting it into her rhythmical scheme . It is a ...
... Illustrated London News . They are simply an illustration and a remark which the poet found already phrased to suit her purpose . Having found it , she took a craftsman's delight in fitting it into her rhythmical scheme . It is a ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats