Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
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Zadetki 1–3 od 37
Stran 90
... intellectual aspect , its con- tent of ideas . This intellectual aspect , its common logical basis , is recognized by everyone and is easily communica- ble to everyone , but what distinguishes poetry from prose is precisely that the ...
... intellectual aspect , its con- tent of ideas . This intellectual aspect , its common logical basis , is recognized by everyone and is easily communica- ble to everyone , but what distinguishes poetry from prose is precisely that the ...
Stran 114
... intellectual ideas current in great force today , but that they are not ideas with which the modern artistic spirit can ally itself easily . The spiritual and intellectual vitality of the present world is directed into the channels of ...
... intellectual ideas current in great force today , but that they are not ideas with which the modern artistic spirit can ally itself easily . The spiritual and intellectual vitality of the present world is directed into the channels of ...
Stran 218
... intellectual logic . The essence of the logic of the im- agination is that it can make abstractions concrete , by test- ing and interpreting them through the senses . Poetry is the richest and most concentrated use of language because ...
... intellectual logic . The essence of the logic of the im- agination is that it can make abstractions concrete , by test- ing and interpreting them through the senses . Poetry is the richest and most concentrated use of language because ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats