Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 25
Stran 15
... interest in human experience . Cold scholarship , as Yeats knew , is not enough . Bald heads forgetful of their sins , Old , learned , respectable bald heads Edit and annotate the lines That young men , tossing on their beds , Rhymed ...
... interest in human experience . Cold scholarship , as Yeats knew , is not enough . Bald heads forgetful of their sins , Old , learned , respectable bald heads Edit and annotate the lines That young men , tossing on their beds , Rhymed ...
Stran 34
... interests of the com- munity - the court , the theater , the salon , the coffeehouse , the club , the houses of wealthy ... interest of literature in the last twenty years has been in experimental technique . When this happens , it means ...
... interests of the com- munity - the court , the theater , the salon , the coffeehouse , the club , the houses of wealthy ... interest of literature in the last twenty years has been in experimental technique . When this happens , it means ...
Stran 140
... interest , while the world moves In appetency , on its metalled ways Of time past and time future . The short fourth section is a rhythmic arrangement of simple lyrical images . Our temporal interests have covered the spiritual light ...
... interest , while the world moves In appetency , on its metalled ways Of time past and time future . The short fourth section is a rhythmic arrangement of simple lyrical images . Our temporal interests have covered the spiritual light ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats