Directions in Modern PoetryW.W. Norton, Incorporated, 1940 - 290 strani |
Iz vsebine knjige
Zadetki 1–3 od 27
Stran 78
... leaves us with the feel- ing that he has said all that he intended to say in his poem . The others leave us with the feeling that they have im- plied more than they have explicitly stated . These are two different poetic effects : but a ...
... leaves us with the feel- ing that he has said all that he intended to say in his poem . The others leave us with the feeling that they have im- plied more than they have explicitly stated . These are two different poetic effects : but a ...
Stran 101
... Leave , leave the sad star that is about to die . Laugh , my comedians , who may not laugh again— Soon , soon , Soon Jeremiah Job will be walking among men . Auden turned from the energetic propaganda of the fine choruses in The Dog ...
... Leave , leave the sad star that is about to die . Laugh , my comedians , who may not laugh again— Soon , soon , Soon Jeremiah Job will be walking among men . Auden turned from the energetic propaganda of the fine choruses in The Dog ...
Stran 190
... leave . ' From that technical necessity may have come in a flash the vision of a Byzantine mosaic with a figure whose flow- ing robes hang unsinged over a tongue of bright flame , and a line which combines triumphantly an abstract con ...
... leave . ' From that technical necessity may have come in a flash the vision of a Byzantine mosaic with a figure whose flow- ing robes hang unsinged over a tongue of bright flame , and a line which combines triumphantly an abstract con ...
Vsebina
INTRODUCTION II | 11 |
THE POET AND HIS AUDIENCE | 19 |
THE WASTE LAND | 37 |
Avtorske pravice | |
11 preostalih delov ni prikazanih
Druge izdaje - Prikaži vse
Pogosti izrazi in povedi
achieve artist attitude Auden beauty century civilization color conflict consciousness contemporary create creative criticism culture D. H. Lawrence dark dead death direct dramatic Dylan Thomas E. E. Cummings emotional environment eternal experience expression feel flowers force function genius Hart Crane human I. A. Richards idea illustration imagery imagination individual intellectual Keats language Laura Riding lines literary living logical Louis MacNeice lovers lyric MacNeice man's Marianne Moore material means medium memory ment mind modern poetry mood movement myth nature never past poem poet poet's poetic Pound present reader reality religious rhyme rhythm Richard Eberhart says sense sensibility significance social society soul sound pattern speech spirit stanza Stevens suggestion symbols T. S. Eliot technique theme thing thought tion tone tradition truth verse vision vitality W. H. Auden Waste Land whole words Wordsworth writing Yeats